Gig Reviews

Review: Alela Diane concludes European tour with polished St George's performance

20th November 2018 
 

 
Having played London’s Union Chapel the previous evening, it’s the similarly ecclesiastical setting of St George’s that plays host to Oregan-based performer Alela Diane’s final show of a 15 date European tour. There’s even a brief moment of synchronicity when, …

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Review: Snail Mail at Thekla - earnest indie rock for a new generation

31st October 2018
 

Having read the near universal praise heaped upon this summer’s debut album Lush, the impression holds that Snail Mail – the vehicle for 19 year old Baltimore based singer-songwriter Lindsey Jordan – occupies a space somewhere between indie-rock prodigy and even the nasc…

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Review: Echo & The Bunnymen top nostalgic bill for opening Skyline Series show

22nd July 2018
 

It’s a pure case of balmy Friday night splendour as the first instalment of the newly introduced Skyline Series plays host to a nostalgia inducing triumvirate of Peter Hook & The Light, The Jesus & Mary Chain and Echo & the Bunnymen. The fact that tonight’s orig…

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Review: Cracking into the live music monster at Dot To Dot '18

26th May 2018
 

En route to Bristol city Centre, it’s rather concerning for one to note that the callow revellers – clad in glittery festival garb and clutching cans of alcohol – bound for Love Saves The Day at Eastville Park are surely getting younger every year. It has the vibe of a sligh…

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Doug Hream Blunt brings his unique funk to Mayfest @ The Cube with some new friends

12th May 2018

Musical success came later in life to Doug Hream Blunt than most.
But then this is a performer who only started playing in bands when he was 35.
His is a story that has become ever more common in more recent years. The late bloomer plucked from obscurity with a full back catalogue…

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Review: Drenge host boisterous Grand Reopening at The Lantern

27th April 2018

Rather than making reference to their touring an album of new material, Sheffield rock outfit Drenge’s ‘Grand Reopening Tour’ alludes to a three year hiatus – both in terms of a headline UK tour and the release of a new record – and emergence from a brief stay in the musical wil…

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Review: Fredo's post-snowpocalyptic sell-out at Marble Factory

3rd March 2018

 
 

Hailing from the notoriously rough and tough Mozart Estate in North West London, profligate drug peddler come successful grime artist Fredo – after a forced cancellation in Birmingham an evening earlier – braved the snowpocalypse and arrived in Bristol to resume h…

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Review: The Mavericks' kick off European tour with sparkling Colston Hall performance

2nd February 2018

Considering that their 1998 single ‘Dance The Night Away’ peaked at number 4 in the UK while experiencing an enduring chart presence of 18 weeks, The Mavericks hold the misfortune that British audiences, by and large, would bestow upon them that most ignominious of epithets: t…

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Review: Shed Seven at O2 Academey

14th December 2017
 

To be alive in the UK in the 90’s was fun.
The second “love generation” knew how to party and weren’t afraid to embrace hedonism.
This after all was an era that produced the countries last generation of prototypical rock stars, before filters (be it Instagram or oth…

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Review: Mac Demarco and a night of introspective hedonism at O2 Academy

26th November 2017
 

When a deep, robotic voiceover jokingly introduces Mac Demarco as “45% a giant and riddled with disease” as he enters the stage carrying a three can stack of Stella Artois, it’s very much in keeping with the Canadian singer-songwriter’s appealing goofball persona. Howev…

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Review: Bad Sounds = Good Times at Thekla

8th November 2017
 

In addition to selling out tonight’s show, the pre-gig sighting of several of the band’s T-shirts among the crowd– including those consecutively adorned by five teenage friends in the front row – is further testament to Bad Sounds’ thriving Bristolian fan-base. On this e…

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Review: Richard Thompson's folk tunes and guitar wizardry master Colston Hall

14th October 2017

 
 

A full fifty years have passed since singer-songwriter and guitarist Richard Thompson made his debut as a recording artist with folk rock juggernaut Fairport Convention in 1967. Since then Thompson has – via marriage and divorce to ex-wife Linda Thompson, a ‘70…

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Review: Alvvays' world class indie pop thrills Thekla

9th September 2017
 

 
After their 2014 self-titled debut album revealed a highly promising act armed with a considerable knack for melodic, reverb drenched indie-pop gems, it seemed to take an age – a perception ultimately exacerbated by a seemingly interminable gestation period in …

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Review: Despite technical issues Holy Fuck storm Colston Hall

22nd August 2017

Despite challenging technical issues throughout, Canada’s Holy Fuck pull off a remarkable show that showcases the very best of their extensive back catalogue, with a welcome sprinkling of fresh new tunes for good measure.
It’s been a good while since we last saw them in Bristo…

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Review: A pre-Glasto treat from Lisa Hannigan at Marble Factory

24th June 2017
 

Already boasting a well-regarded music scene, one further advantage held by the city of Bristol is that – either right before or during the frolics of the Glastonbury Festival – a coincidence of geography places it as a natural pit-stop for artists imminently bound for Wort…

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Review: The return of Manic Street Preachers at Bristol Sounds

22nd June 2017  
 

For the second evening of Bristol Sounds, fans gathered for a perfect summer’s night on the harbourside; ciders in hand. The Amphitheatre buzzed with a sense of intent from a crowd who were there for one reason only; to reunite with the Welsh trio, Manic Street Preachers,…

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Review: Bonobo's blistering show to open Bristol Sounds

21st June 2017
 

After several sweltering days of British Sunshine, this year’s Bristol Sounds – the rebranded form of its erstwhile incarnation as Bristol Summer Series – kicked off just a matter of hours after the met office confirmed that the UK had been basking in its hottest June day i…

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Review: Ron Sexsmith's songwriting showcase warmly received at St. George's

21st May 2017

“I don’t have any hits per se but there are certain songs that I’m expected to play.” Ron Sexsmith’s mid-set introduction to his 1997 song ‘Strawberry Blonde’ serves as a fairly accurate summation of the Canadian singer-songwriter’s unassuming career. While forever in the commerci…

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Review: Declan McKenna - a youthful artist-audience love in at Thekla

15th May 2017

The sea of adolescent faces singing and swaying along to a succession of cheesy pre-show pop hits (‘Like A Prayer’, ‘It Wasn’t Me’), and the palpable sense of a giddy teenage adulation, give the impression that one has wandered into a dystopian hybrid of sixth form disco and One Di…

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Review: Happyness Impress at The Louisiana

19th April 2017

With availability of tickets at a minimum in the hours leading up to this evening’s performance, an annotated scrawl on the chalkboard at the foot of the staircase to The Louisiana’s gig room denotes that Happyness’ Wednesday night show has achieved sold out status. Further endo…

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Review: Samantha Crain Sparkles at The Louisiana

2nd April 2017

Considering that Samantha Crain is currently touring on the back of derisively titled album You Had Me at Goodbye and the fact she kicks off tonight’s show with her sardonic ode to “resting bitch face” – the gorgeous folk-pop of ‘Antiseptic Greeting’ – one could be forgiven for j…

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Review: Laura Marling's sell out return to Colston Hall

9th March 2017

It’s a fraction over a year since Laura Marling last appeared at Colston Hall with a typically assured performance to close 2016’s BBC 6 Music Festival. On the back of that appearance and with a reputation that ostensibly grows more favourable as her output expands, the precociou…

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Review: Glastonbury Calling 2017

The vision was simple – one ticket giving music loving punters access to six venues in Glastonbury where they could enjoy wall to wall performances from leading talent from across the south west. In only its second year, just having Laid Blak on the bill was a huge stamp of approval and a tip of t…

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Review: The Orwells enthusiastically received despite technical mishaps at Thekla

4th March 2017

“There’s always one show every tour where nothing works and you’re at that right now” says guitarist Matt O’Keefe towards the end of an evening fraught with technical difficulties. However, this being a night equally filled with audience pandemonium and a boisterous Saturday even…

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Review: Neon Waltz - Purveyors of Indie Promise at The Louisiana

                                  26th February 2017

It was early in 2015 when Neon Waltz’s hitherto best tune ‘Bare Wood Aisles’ achieved the endorsement of indie rock royalty with the song appearing on a Noel Gallagher curated playlist on Spotify. Though later that year the Caithness six-pie…

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Index Gig Reviews:
 Of Monsters and Men (O2 Academy Bristol – Feb’13) Walk The Moon (Thekla, Bristol – Feb’13) Heaven’s Basement (The Croft, Bristol – Feb’13) Kraftwerk (Tate Modern, London – Feb’13) Cosmo Jarvis (Louisiana, Bristol – Feb’13) Jake Bugg (Westlands, Yeovil – Feb’13) Ellie Goulding (O2 Academy Bristol – Dec’12) The Hives (O2 Academy Bristol – Dec’12) The Black Keys (NIA, Birmingham – Dec’12) Reverend and the Makers (O2 Academy Bristol – Oct’12) Marina and the Diamonds (O2 Academy Bristol – Oct’12)